10PM. Trying to get some sleep but my clock is off. Today my day began with a 5am flight from Texas to Baja.

Long travel day, but totally worth it the moment I stepped off the plane and felt that familiar Baja breeze, or lack there of. There’s something about this place that instantly grounds you—the light, the air, the energy.

I Love Mexico!

Tomorrow, our guests arrive, and on Monday we kick off a brand-new week of diving. With just two weeks left in our season, we’re fully present for every moment. These will be our final Baja trips before we head off to the next location.

We have 12 days to find as much wildlife in the Sea of Cortez as possible—including my dream: photographing orcas hunting mobula rays. It’s one of nature’s most elusive events, and every day out here gives us another chance to witness something extraordinary.

As always, we’re hoping for favorable conditions, smooth seas, and an ocean full of life.

Our team is ready to help us find amazing things, the vibes are high, and cameras are fully dialed in (Gloria is itching to go!)—we are prepped for anything the wild decides to throw our way.

And just like previous trips, I’ll be sharing daily trip reports throughout the experience. If you missed the first four, you can catch up anytime by visiting our Dailys Page.

This is it. The final stretch. Can’t wait!

Two more weeks in one of the most amazing places on Earth... going to make every day count.

This is part two of a six part blog photography series.

Photographing predators is one of the most thrilling and high-stakes challenges in wildlife photography. The sheer power of an apex predator makes for some of the most captivating images—but the risks are real.

*Arctic Fox off Churchill, Canada. 1/1600, F/11, ISO 1600*

Unlike shooting birds or landscapes, predator photography puts you in the presence of an animal that can overpower and harm you. The difference between safely capturing an unforgettable moment and making a critical mistake comes down to experience, preparation, and having the right guides by your side.

The way you photograph predators—the style, the gear, and how close you get—can drastically change your safety level in the field. Some types of shots are inherently riskier than others.

*North Carolina Black Bear. 1/1600, f/5.6, ISO 500*

Close-Up Portraits: These are some of the most powerful predator photos—but they often require getting closer, either physically or through a long lens. The closer you are, the more critical it is to understand the animal’s body language and mood. If you're on foot or in the water, your margin for error is razor-thin.

Environmental/Landscape Shots: Shooting a predator within its habitat—using wider lenses and keeping your distance—tends to be much safer. You’re less likely to influence the animal’s behavior and more likely to capture a natural, undisturbed moment.

Action or Hunting Sequences: These are high-adrenaline shots, but also some of the most unpredictable. Chases, kills, or territorial disputes can shift in seconds. You must read the entire scene—not just the subject—to avoid getting caught in the action.

*Jaguar predation on yellow anaconda. 1/4000, f/5.6, ISO 1600*

Behavioral & Social Interactions: Capturing play, grooming, or parenting behavior can be incredibly moving. These often require longer observation periods, and while safer than provoking action, they still demand constant awareness. A relaxed scene can flip in an instant.

*Polar bear mother and coy. i/1600, f/5.6, ISO 400*

Bottom line: the more you push for dramatic or close-up shots, the more you need to balance creative vision with deep respect and caution.

The Importance of Having the Right Guides

One of the most overlooked—but critical—aspects of predator photography is choosing the right guides.

A Great Guide:

Knows where to find the animals and the best time to be there.
Understands animal behavior and body language better than anyone.
Can position you safely while maximizing your photography opportunities.
Knows when to move in and when to back off to avoid stressing the animal.
Has a deep respect for the wildlife and ecosystem, ensuring ethical practices.

Chimpanzee Ranger guiding/protecting our group in the Kibali Forest Reserve, Uganda.

I’ve been in the field with guides who made the difference between an average day and a once-in-a-lifetime encounter. Wildlife photography is about respect, patience, and experience… and the right guide brings all of that together.

General Safety Rules for Photographing Predators Anywhere

Give them space—if they acknowledge you, you’re too close.
Never interfere with a hunt or a meal—a distracted predator is unpredictable.
Use a long lens—400mm or more lets you capture stunning details from a safe distance.
Never run—applies to big cats, bears, sharks, and almost every large predator.
Stay downwind—if a predator smells you before seeing you, it may react more cautiously… or more aggressively.
Always have an escape plan—know where to retreat if the animal gets too close.

*Bobcat catching a red winged blackbird, South Texas. 1/1000, f/7, ISO 5000*

Understanding Animal Behavior: Stressed vs. Calm.

Some of the greatest wildlife shots in history weren’t taken during a chase or a fight. They were captured when the animal was at ease—completely in its natural state.

A relaxed predator will:
• Hunt, groom, rest, or patrol normally.
• Move without stress or awareness of your presence.
• Engage in social behaviors—playfulness, territorial displays, or courtship.

A stressed predator will:
• Change direction, speed up, or stop feeding.
• Display warning signs—ear flattening (big cats), direct staring (wolves), sudden stillness.
• Become defensive or territorial, leading to unpredictable behavior.

If a predator is uncomfortable, your shot isn’t worth the risk.

*leopard in Uganda. 1/1000, f/7.1, ISO 1000*

Final Thoughts: Predator Photography is a Privilege

Photographing the world’s most powerful, intelligent, and elusive hunters is an honor—not a right.

Many of these animals are fighting for survival in shrinking habitats. They’re misunderstood, hunted, or vanishing quietly without ever being seen.

As wildlife photographers, we don’t just take images… we help tell their stories.

Rio Grande Valley, Texas. Massive population growth has turned wildlands into housing developments, shopping centers, and roads. Less than 5% of native habitat remains in many parts of the Valley. Dense thornscrub and Tamaulipan forest once covered much of the region—now, fragmented into isolated patches. Species that depend on large, connected habitats—like the endangered Texas ocelot—are struggling to survive.

The best predator photos don’t just showcase power. They show personality, struggle, survival, and a glimpse into a world most people will never see.

But that world is changing. Every year, there are fewer places where animals roam free.

And that’s why, every time we pick up a camera, we’re doing something more than photography.

We’re capturing something wild, untamed… and sadly disappearing.

Back in Baja – Two Weeks Left of Magic

Safety First: Photographing Predators Without Becoming Prey