natural light photography

🎥 Introducing The Wild Minute… The Wild in Motion

There are moments on our trips that can’t be shared with words alone, the sound of an orca’s breath breaking the surface, the laughter of our team on a long travel day, the quiet stillness after a storm.

The idea for The Wild Minute was born out of that space between still photos and full trip reports.

I wanted a place to share the heartbeat of what we experience out there. 

They will be short, one-minute video stories from the field, raw, unfiltered, and real. 

Some will be encounters with wildlife. Others are travel days, reflections, or simple slices of life between the big moments.

For years, our written blogs and daily trip reports have told the stories behind the images. 

Now, The Wild Minute adds another way to share the sounds, movement, and the pulse of being there.

My hope is that it helps you feel a little closer to these places and the incredible animals that call them home.

A sample of what The Wild Minute will look and feel like.

Each clip will live on our website, connected to the stories and expeditions they came from. 

So whether you prefer reading the trip reports, watching the moments unfold, or both, you can follow the journey in real time, one minute at a time. I am keeping them short so they don’t eat up too much of your time.

Our next adventure takes us north, to Churchill, Canada, where polar bears roam the edge of Hudson Bay. 

That’s where Wild Minute will begin. The journey starts November 2, and so will the stories.

We’ll continue sharing our written trip reports and photos from the field, but now they’ll be complimented by short, one-minute video stories that I hope will bring you even closer to the experience. 

You’ll still get the trip reports, because I love writing, but now you’ll also feel the emotion, the sound, and the pulse of the adventures as it happens.

Follow The Series

The One Rule I Always Break in Wildlife Photography

Brown pelicans off Magdalena Bay, MX.

Every photographer has a list of rules they were taught to follow… the golden ratios, the perfect exposures, the “never shoot into the light” kind of advice.

But here’s the thing…

I break that last one all the time.

Some of my favorite wildlife photos were taken against the light, silhouettes of bears in the sunset, bobcats glowing in golden dust, orca breaking the surface as the last of Norway’s light descends behind the mountains. 

Orcas off Norway. 1/1600, f5.6, ISO 800

Shooting into the light isn’t easy. 

It’s messy. It blows out highlights, hides details, and breaks every clean rule of composition. 

But it also makes the wild feel alive.

And honestly, I struggle most of the time to get it right. 

When you’re shooting backlit subjects, figuring out the best ISO and shutter speed is always a challenge. 

You rarely have much time to adjust. 

Maned Wolf off the Northern Pantanal. 1/640, f14, ISO 800

With wildlife, you don’t plan for backlit images, you get lucky with them.

Maybe you’re sitting in an area where you know elephants will be passing along a well-worn trail, and you get that perfect chance to prepare. 

But most of the time, you don’t get that choice. 

You’re gifted the moment when the animal suddenly turns left instead of right, or when the whale passes on the “wrong” side, and suddenly, the sun is behind them.

That’s when it happens.

Bobcat off Florida. 1/1000, f5.6, ISO 400

The light burns through the edges of their body, wrapping them in fire, color, and shadow. 

It’s beautiful chaos, the kind that tests your instincts and rewards your patience.

Most animals prefer to keep the sun behind them as they move past people, it helps them see us better. 

And when they can see us better, they relax. 

That small bit of awareness gives us something real: a moment of trust, framed in gold.

Polar Bear off Churchill. 1/1000, f5.6 ISO 640

Photography is supposed to make you feel something, and light, real light, isn’t always neat and controlled. 

Sometimes it’s harsh, unpredictable, wild… like the animals themselves.

If you only ever follow the rules, you’ll get good photos, sharp, balanced, technically correct.

But if you’re willing to bend them, that’s where the magic starts. 

Brown Bear family off Katmai, Alaska. 1/1250 f32, ISO 1250

The image might not be perfect, but it will have a heartbeat.

Every time I press the shutter into the light, I’m reminded that photography isn’t about perfection. 

It’s about emotion, the quiet honesty of what it felt like to be there.

So yes, I shoot into the light. I chase it, even. 

Because the wild isn’t meant to be tamed… and neither is the way we capture it.

Morelet’s crocodile in the Mangroves, Tulum, MX. 1/250, f9, ISO 1600.
No golden light here, underwater backlit photos are different. Instead of warm tones, you get God rays. Streaks of light firing through the water.

A Few Tips for Shooting Into the Light

Shooting backlit wildlife is one of the hardest things to get right, but when it works, it’s magic. 

Here are a few things I’ve learned
(mostly the hard way):

  • Watch your exposure, not your instincts.
    Backlight fools your camera’s meter into underexposing. Don’t trust the screen, watch your histogram and move it slightly to the right to preserve shadow detail.

  • Use spot metering when you can.
    Expose for the light on the animal’s face or body, not the sky. That’s where the story is.

  • Embrace imperfection.
    Backlit shots rarely look clean, and that’s the point. Let the light spill, let the edges glow, let the wild be wild.

The Sound of Letting Go... My Last Season with Gloria.

This one’s a tough one to write.

For ten years, my camera, Gloria, has been with me through everything.

Rain, salt, sand, freezing winds, murky waters, she’s been there for it all. 

Dependable. Solid. The kind of companion you trust when everything else around you is chaos.

Every image I’ve shared over the past decade, every whale, shark, snake, and orca, came through her eyes. 

We’ve been everywhere together, and back again.

So even saying this out loud feels strange… but lately, I’ve been thinking about finally making the switch.

From my faithful DSLR to a mirrorless system.

And not for the reasons people might assume.

Sure, mirrorless cameras are sharper, faster, lighter. 

They handle low light beautifully and focus like magic. It’s a better system in almost every measurable way. 

But that’s not what’s drawing me in.

For me, it’s about silence.

When I step into the ocean, in rivers, in the Arctic, I’m stepping into another world. 

A world that existed long before me and doesn’t need my noise in it. 

My presence already changed behavior. Fish move differently. Dolphins will sometimes swim away.

I can’t control that.

But the one thing I can control… is the sound I bring.

Every click of Gloria’s shutter feels like a small echo through their world. 

A reminder that I’m still an intruder. 

I don’t belong.

Over time, I’ve started to feel that echo more deeply, like the wild is asking me to listen, not interrupt.

That’s where mirrorless calls to me.

Not because it’s the future of photography, but because it’s the future of how I want to photograph. 

Silently. 

It’s strange how your relationship with your craft evolves. 

When you’re young in it, you chase the moments, you want the perfect shot, the perfect composition, the proof that you were there.

But as time passes. You stop chasing, and start protecting.

You realize the most powerful images come when the wild forgets you’re even there.

Switching to mirrorless isn’t about upgrading my gear. 

It’s about lowering my impact.

It’s about aligning the technology with the respect I’ve learned to carry for the wildlife I photograph.

Still… this isn’t easy. 

Gloria has been more than just a tool. She’s been my voice when I had no words, my constant when everything else changed. 

She’s been the silent witness to so much beauty, heartbreak, and wonder.



But maybe this is how every great partnership ends, not with replacement, but with gratitude.

The wild deserves our silence.

And maybe this will be my way of giving it that.

For now, I’ll finish the 2025 season with Gloria by my side.

I have four more trips this year.

That is four more chances to tell our story together before the next chapter begins.

And when 2026 comes, maybe, just maybe, I’ll take that silent leap…If I can let her go.

The Euphotic Zone: Your Best Friend in Natural Light Photography

Beluga Whale off Churchill, Canada. 1/400, f9, ISO 1000.

This is Part 2 of 10 Part Underwater Natural Light Photography Series.

When shooting underwater using natural light, the euphotic zone is your playground. This is the uppermost layer of water that sunlight penetrates, and it’s where natural light photography truly comes to life. Understanding how light interacts with water in this zone is essential for creating stunning underwater images.

What is the Euphotic Zone?

The euphotic zone is the part of any body of water that receives bright and clear sunlight. Even in turbid, murky water, there’s always a euphotic zone—though it might only extend a few inches deep. In the tropics, where water clarity is exceptional, the euphotic zone can extend well beyond 260 feet—far past recreational diving depths.

This zone is where sunlight, or ambient light, allows photographers to capture natural, vibrant underwater scenes. For those relying on natural light, the euphotic zone is your best friend.

Pink Dolphin in the Amazon River, Brazil. 1/320, f5.6, ISO 2000

Here are two examples of wildlife thriving in very different Euphotic Zones: the pink dolphin of the Amazon River and the lemon shark of the Bahamas. Each represents the unique beauty and diversity of life in their distinct aquatic worlds. The pink dolphin thrives in the dim, low-light conditions of the Amazon River, navigating its murky waters with remarkable adaptations that allow it to flourish in this unique environment. In stark contrast, the lemon shark thrives in the clear, sunlit waters of the Bahamas, where high visibility and abundant light create the perfect conditions for this sleek predator to navigate and hunt.

Lemon Shark at Tiger Beach, Bahamas. 1/320, f8, ISO 400

How Light Behaves Underwater

Light behaves very differently underwater than it does on land. Water is about 800 times denser than air, which causes light to scatter and absorb quickly as it penetrates. The deeper you go, the more light—and color—you lose.

Hawksbill Sea Turtle off Playa Del Carmen, MX. 1/320, f5, ISO 800

Here’s how color disappears at different depths:

  • Red vanishes around 15 feet.

  • Orange fades by 30 feet.

  • Yellow disappears by 60 feet.

  • Green is absorbed around 100 feet, leaving only blues.

This means that the deeper you dive, the more muted and monochromatic your images will appear. Natural light photographers need to work within these limitations to create vibrant and well-exposed photos.

Whale Shark off Isla Mujeres, MX. 1/320, f9, 1/800

Tips for Working in the Euphotic Zone

  1. Stay Shallow:
    The closer you are to the surface, the more light and color you’ll have. For the best results shoot wildlife above 30 feet where reds and oranges are still visible.

  2. Time Your Dives:
    Early morning and late afternoon offer soft, diffused light that can add mood and dimension to your photos. Midday dives provide the most light penetration, which is great for capturing vibrant colors at deeper depths.

  3. Understand Water Clarity:
    Clear tropical waters extend the depth of the euphotic zone, while murky or nutrient-rich waters will reduce it significantly. Adjust your expectations and camera settings accordingly.

  4. Position the Sun Behind You:
    Just like on land, keeping the sun at your back ensures your subject is well-lit and shadows are minimized. Unless you are going for an artsy image and then you want your subject to be backlit by the sun.

Tiger Shark at Tiger Beach, Bahamas. 1/250, f8 ISO 400

The Challenges of the Euphotic Zone

Natural light photography in the euphotic zone is not without its difficulties. Clouds, tides, and weather can all affect light penetration. Additionally, the further you descend, the harder it becomes to maintain vibrant colors without proper camera settings and techniques like custom white balance (which I’ll cover in a future post).

Why the Euphotic Zone is Worth It

Despite the challenges, the euphotic zone offers unparalleled opportunities for natural light photographers. The sunlight filtering through water creates breathtaking effects, like god rays that cut through the blue, or the shimmering light patterns on the ocean floor. These natural phenomena can add depth and drama to your images, creating compositions that feel both authentic and otherworldly.

Sealion off Baja, MX. 1/400, f9, ISO 640

Why Choose Natural Light for Underwater Photography?

Wildlife photographer Jean Dubois, shooting using natural light… Crocodile Diving off Banco Chinchorro, MX. 1/320, f8, ISO 500

When it comes to underwater photography, strobes are often the go-to choice for professionals. They bring out vibrant colors and allow for incredible detail in any lighting condition. However, there’s another side to underwater photography that’s often overlooked but equally exciting… Natural Light Photography.

This approach leverages ambient light from the sun to create images with a more organic and authentic feel. It’s less intrusive to wildlife, offers greater freedom of movement, and provides a unique challenge that pushes your skills as a photographer.

Black Manta Ray off Socorro Island, Mexico. 1/320, f8, ISO 1000

Let’s dive into why natural light photography is worth exploring.

One of the biggest advantages of natural light photography is the freedom it gives you underwater. Without strobes and bulky strobe arms attached to your camera rig, you’re far more streamlined. This makes swimming easier, especially when free diving or dealing with strong currents.

Great Hammerheads off Bimini Bahamas. 1/320, f8, ISO 320

More importantly, it allows you to move fluidly and follow wildlife with minimal disruption.

Animals are often spooked by flashing lights, but with natural light, you can get closer and stay longer, building trust and capturing more intimate moments.

Natural light photography is less intrusive, which can be a game-changer when photographing sensitive marine animals like sharks, whales, and dolphins. Without the startling pop of a strobe, they are more likely to stay calm and tolerate your presence.

Some of my favorite moments underwater have been with animals mere inches from my dome port, calmly going about their lives. It’s these moments that make natural light photography so rewarding—it’s not just about capturing a shot but trying to experience a genuine connection with the wildlife.

Right Whale off Patagonia, photographed under permit. 1/320, f9, ISO 800

Of course, natural light photography comes with its challenges. The underwater environment absorbs light and color at different depths:

  • Red disappears around 15 feet.

  • Orange fades by 30 feet.

  • Yellow is gone by 60 feet.

  • Greens fade by 100 feet, leaving mostly blues.

This means your ability to capture vibrant images depends heavily on factors like depth, water clarity, and time of day. Cloudy skies or low light conditions can make it even more difficult, requiring careful adjustments to your camera settings.

Great White Shark off Guadalupe Island, MX. 1/320, f8, ISO 400.

Despite the challenges, natural light photography is incredibly rewarding.

It forces you to think creatively, adapt to your environment, and work within the constraints of the available light. But, when you nail the exposure, composition, and timing, the results are nothing short of magical.

To me, natural light images have a raw, authentic feel that strobes can’t replicate. They reflect the beauty of the underwater world as it truly is—dynamic, ever-changing, and awe-inspiring.

Sailfish off Magdalena Island, MX. 1/640, f8, ISO 1600

Is Natural Light Photography for You?

Shooting with natural light allows you the opportunity to connect with wildlife on a deeper level. It’s not just a technique; it’s an experience that pushes you to grow as a photographer and a storyteller.

Stay tuned for the next blog in this series, where I’ll dive into the euphotic zone… the key to understanding how sunlight interacts with the underwater world and how to use it to your advantage.

THIS IS PART 1 OF A 10 PART SERIES.

PART ONE - Is Natural Light Photography Photography For You?
PART TWO - The Euphotic Zone! Your best friend.
PART THREE - Custom White Balance, Natural Lights Secret Weapon.
PART FOUR - Shutter Speed: Freezing Moments Underwater.
PART FIVE - Aperture: Achieving Sharpness and Depth Underwater
PART SIX - ISO: Balancing Light Sensitivity Underwater
PART SEVEN - Focus Points: Keeping Your Subject Sharp Underwater
PART EIGHT - The Histogram: Your Underwater Photography Lifeline
PART NINE - Post-Processing: Bringing Your Underwater Images to Life.
PART TEN - The Freedom of Natural Light Photography: A Connection to the Wild